CHICAGO PIPE SHOW - May 2006

THE IMAGINATIVE EVOLUTION OF HIROYUKI TOKOTOMI
Exhibit Page 4

CHICAGO 2006

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THE "CHANTERELLE" CAVALIER

 

The Freehand Reverse-Curve: "The Chanterelle"

This pipe presents a fascinating – and challenging – combination of a clay-like, organic bowl with a hard, streamlined shank and stem. The sweep of the foot, shank, and stem suggest impetuous, forward speed, but the flower-like bowl forces itself to open slowly and expansively (side to side) in spite of the countervailing energy surrounding it (forwards and backwards). Though Toku himself held off calling this a mushroom bowl, Sykes Wilford said it reminded him of a chanterelle. I think Sykes’ name is a good one, even if Toku’s previous mushroom pipes (shown last year) don’t really seem to be precursors of this shape. Indeed, looking over a range of Tokutomi pipes made over the past few years, I don’t find any clear antecedent. The bowl’s oval form and pointed lines seem much closer to a contemporaneous, angular orange sitter than to anything that has come before. (This stone-like, sandblast sitter is pictured in this popup window.

 

 

 


 

Two Climactic Pipes

 

Tokutomi's clay-like and stone-like organic styles are epitomized in a pair of Cavaliers that he finished in February 2006.  Before the appearance of the "Surfing" pipes from Toku and Gotoh at the Chicago show, I intended that these wonderful and very different pieces would form the climax of the Cavalier display.  I'm told that Toku considers the Blowfish Cavalier on the left to be the most perfectly-realized version of that shape he yet created.  Simultaneously, he felt tremendously excited by his first Rotated-Blowfish Cavalier which he felt broke new ground for him in his pipe design.

 

 


 

THE "ROTATED-BLOWFISH" CAVALIER (beginning)

 

Origins

"I wonder what would happen if I rotated the blowfish's bowl?"

(beginning)

 

I haven't yet discussed with Toku whether he consciously asked himself this question during the summer of 2003, when the first pipes with such rotated bowls appeared.  Perhaps Toku's imagination simply manipulated the form while he was engaged in spontaneous playfulness.  But the question does express an idea that I think is implicit in the series of pipes that culminates in the "Rotated Blowfish" Cavalier:  What possibilities emerge once you start twisting and bending the bowl of a blowfish pipe as though it were made out of clay ... ?

 

The Emergence of the "Rotated Blowfish" Bowl


These two early Snail-grade pipes [see below for additional pictures] appeared late in 2003, during a period of astonishing growth and development in Tokutomi’s pipe-making. These pieces show Toku at the height of his improvisatory creativity – bending lines, molding forms … re-imagining briar as though it were clay.

The pipes contain the seeds of many future ideas. (For example, note the hints of hard edges and angles which will come to predominate in Toku’s later stone-like carvings.) Here, these pipes and those immediately following illustrate how Toku started to spin the bowl of the blowfish off its normal axis.

 

TWO SEMINAL SNAIL-GRADE PIPES (2003)
Early "Rotated-Blowfish-Bowl" Designs

 

 

 

 

ROTATED-BLOWFISH-BOWL PIPE (2004)
This variation, with simplified lines, shows the design's underlying structure.

 

 

 

... THE DISCUSSION OF ROTATED-BLOWFISH-BOWL PIPES CONTINUES ON THE NEXT PAGE.

 


CHICAGO 2006

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